i didn't realise until recently that they had changed the lyrics on

fairytale of new york "you're a bum you're a drunk", "you're an old slut on junk" i always thought it was "you're an old slut and drunk". anyway it's a brilliant song whichever version, kirsty herself changed the lyrics when they performed the song on totp in 1992 so it could be aired "live" so to speak.

there is a saturation point to it at christmas as with any christmas song, some less than others. but the song really is so beautiful and has an interesting backstory, if you didn't already know it, as to how kirsty came to be the female vocalist.

In March 1986, the Pogues toured the US for the first time. The opening date of the tour was in New York City, a place which had long fascinated MacGowan and which inspired him to write new lyrics for the song.

Among the members of the city's Irish-American community who saw the show and visited the band backstage after the concert were film-maker Peter Dougherty and actor Matt Dillon: both later became friends with the Pogues and played important roles in the video for "Fairytale of New York". Another inspiration was Sergio Leone's film Once Upon a Time in America, which MacGowan and whistle player Spider Stacy watched over and over again in the tour bus.

Apart from shaping the ideas for the lyrics, MacGowan wrote a slow, piano-based introduction to "Fairytale of New York" influenced by the film's score by Ennio Morricone; the intro was later edited together with the more upbeat original melody to create the final song.

As 1986 went on, the Pogues encountered various problems that brought a halt to their recording activity. Their record label Stiff ran into financial difficulties and went into administration, although as the label still owned the rights to the Pogues' recordings this meant that a distribution deal had to be negotiated with a new label to release any new Pogues material.

The group's deteriorating relationship with Costello saw them part ways with their producer, and, after increasingly erratic behaviour, Cait O'Riordan, who had become romantically involved with Costello, left the band in October 1986. The departure of O'Riordan meant the song had now lost its intended female singer.

Recording

The finished track was recorded at RAK Studios in Regent's Park, London. The problems at Stiff were eventually resolved, and the Pogues were finally able to enter a recording studio again in early 1987 to start work on their third album, now with Steve Lillywhite producing.

A new demo of "Fairytale of New York" was recorded at London's Abbey Road Studios in March 1987, with MacGowan singing both the male and female roles. However, it was not until the third set of recording sessions in August 1987 in nearby RAK Studios that it was suggested that Lillywhite take the track back to his home studio and let his wife Kirsty MacColl lay down a new guide vocal for the song.

Having worked on her vocals meticulously, Lillywhite brought the recording back to the studio where the Pogues were impressed with MacColl's singing and realised she would be the ideal voice for the female character in the song.

MacGowan later said, "Kirsty knew exactly the right measure of viciousness and femininity and romance to put into it and she had a very strong character and it came across in a big way... In operas, if you have a double aria, it's what the woman does that really matters. The man lies, the woman tells the truth."

MacGowan re-recorded his vocals alongside the tape of MacColl's contribution (the duo never recorded the song together in the studio) and the song was duly completed with the addition of a harp played by Siobhan Sheahan and horns and a string section. The French horns and strings were recorded at Townhouse Studios on the last day of recording If I Should Fall from Grace with God, arranged by Fiachra Trench after band member James Fearnley had mocked up an arrangement on a keyboard.

Reflecting on the recording of the song during a 2020 interview, MacGowan said "it was a happy time for the group. It's our Bohemian Rhapsody". He paid tribute to MacColl for lending her vocals to the song: "I was very grateful to Kirsty. I don't think it would have been such a big hit without her contribution.".

On the impact of the lyrics, Helen Brown of The Daily Telegraph writes,

In careening wildly through a gamut of moods from maudlin to euphoric, sentimental to profane, mud-slinging to sincerely devoted in the space of four glorious minutes – it's seemed perfectly suited to Christmas – a time which highlights the disparity between the haves and have nots around the world. Those of us lucky enough to spend the day with friends and families by a cosy fire with a full stomach think of the lonely, the homeless and the hungry. As MacColl and MacGowan's dialogue descends from the ecstasy of their first kiss into an increasingly vitriolic argument their words puts the average family's seasonal bickering into perspective. "You're a bum you're a punk/ You're an old slut on junk..." The song's row ends with an expression of love and hope (against all the odds) as MacGowan's character promises MacColl's that, far from wrecking her dreams he has kept them with his own "Can't make it all alone," he pleads, "I've built my dreams around you."

RIP kirsty & shane x

p.s. dftt

Posted By: Tombs on January 10th 2026 at 13:57:27

Message Thread

Reply to Message

In order to add a post to the WotB Message Board you must be a registered WotB user.

If you are not yet registered then please visit the registration page. You should ensure that their browser is setup to accept cookies.

Log in